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We got our old 1967 BM Volvo out in 2005, it was the first cutting it had done since 1999. It was in pretty thick barley and it went ok, currently giving it a full overhaul and will use it as a seed cleaner.

Tags: Combine
Putting away both combines after we had finnished, the Volvo had a whining bearing which I have now fixed.

Tags: combines
This is our old Volvo combine, it has only cut 5 acres since 1999, although before then it did over 200 a year for 32 years. The backend is removed to get it in its shed. It is powered by a 120hp Volvo Penta engine, just listen to that exhaust rasp out, you can hear it miles away when its cutting, will try to upload some cutting film somtimes, it smokes a bit because it hasn't been worked for a while and when it was started on the previous day it hadn't run for 2 years!

Tags: Volvo Diesel
See a Virtual Tour at: http://www.CirclePix.com/SSAH5H Contact Bryce Holloway, with Owner, at 801-404-6137, for more information about this property.

Tags: 84660 Bryce Circlepix Fork Holloway Spanish SSAH5H UT
AKAI s950 Sampler

Tags: AKAI s950 Sampler
AKAI s950 Sampler in action. sequenced via MED Soundstudio v1.7

Tags: AKAI s950 Sampler
beatmaking with akai mpc60, s950 and sonar6

Tags: mpc60 french beatmaking beat idk s950 guyane
Ski Beatz in the studio showing you exactly what he did to create the beat for Jay-Z's "Dead Presidents" check out ski's myspace and download his mixtape, which features a ton of tracks that he has produced through the years: http://www.myspace.com/skibeatzmusic

Tags: ski beatz jay-z jayz camp lo nas pete rock qtip in studio making beats production sp1200 sp 1200 skibeatz s950 akai mpc
Check out more of my beats on www.pmpworldwide.com/selahdru and subscribe to my profile to get updates weekly. www.pmpworldwide.com/selahdru This is a short movie where I take you through my process of creating a beat using samples and sound modules. This clip is also na This is a short movie where I take you through my process of creating a beat using samples and sound modules. This clip is also narrated.

Tags: mpc 2000xl s950 sampling pmpworldwide hiphop soul gangsta beat beats beatmaking selahdru
This is a short movie where I take you through my process of creating a beat using samples and sound modules. Check out more of my beats on www.pmpworldwide.com/selahdru and subscribe to my profile to get updates weekly. www.pmpworldwide.com/selahdru

Tags: mpc 2000xl s950 sampling pmpworldwide hiphop soul gangsta beat beats beatmaking records selahdru
From the Beatnuts "Lost Instrumental" LP. Sexy chopped piano sample over nicely swung drums. Why can't all hiphop be this good?

Tags: Beatnuts sampler S950 MPC60 SP1200 Real Hihop "Mike Wolak"
hammering beats http://www.myspace.com/perrez

Tags: akai mpc 60 mpc60 sampler beats s950 950 hip hop
{too $hort:} Tell em what we do in here, dangerous... Get some drums from a break and then break yo ass You want beats from the crew? well take yo cash Five gs for a muthafuckin song And if you cant pay it, keep movin on Im into somethin that your fake ass never can handle With your sp-12 and your raggedy samples Better stick with the james brown and pay him Cause the jd-800 aint even playin Unless pee wee hit them keys Ant banks on the beats, now we makin gs Shorty b got the bass and we sellin it Shit kinda fat like a muthafuckin elephant Sample that shit if you want You better try to sample this dangerous funk Cause aint nobody trippin on your fake-ass tape Shoulda got some beats from my nigga ant banks But banks aint thinkin bout no weak shit Now youre goin out like mc bitch And aint nothin worth killin like a sucker Why you wanna make fake beats, muthafucka Shoulda came real like the oakland city Beat your ass to death with a s-950 Its not a james brown loop, its not parliament But you can smell it cause it sho got a funky scent Its called the dangerous crew, make you feel stupid Play a thousand records and you still cant loop it Cause its not to be found, but if you do Nothin you could try make you sound like the crew {pee wee:} Geah man Just another gangsta kickin tha playa pimp shit for nine-trey When youre with the dangerous crew Bitches wann hang with you Think about the thang in you She can suck a thang or two Niggas in other gangs wanna hang with you Learn your slang, made a few fools wanna slang, would you Tell them bitches they sang or would you Lie to get that thang cause they gameless Them aimless, niggas get extinguished But theyre just muthafuckas Got bitches duckin suckers When we come to town, mayn We rollin fat with dank, aint fuckin with that brown thang To shorty b and $hort, we goin international Fuck the local fashion show Niggas cant be broke Mhisani for the money fuck a bitch until she dizzy And me and the bigged-banks is gettin perkin off aliz? big bobs down with the crew ready to do Any muthafucka steppin to F.m. blue and randy austin Youre lost when You thought that you can hang with this Niggas, this is dangerous {spice 1:} Im committin a 187 so gimme the clip and let me - pow Im down with the dangerous crew, so nigga, whatcha wanna do The alias east bay gangsta, you can catch me peelin caps Known for killin every muthafucka dead in my raps Nigga, so gimme the clip and let me pow one Cause everbody dyin on this next fuckin album Dumpin em up in ditches, kill the snitches Sell a glock to a gee for these playa-hatin bitches Gets my smob on, gets my mob on And niggas be talkin the shit, but yo Im quick to get my rob on Cause peelin your cap will put my dick on swoll Muthafucka you, bitch, godddam-ass hoe

Tags: Too Short The Dangerous Crew
I was testing my new father's camera...it's sounds a little bit compressed and i breath like Dark Vador lol, sorry...

Tags: Akai Mpc 60 mk1 s950 s900 Dj Premier Primo E-Mu sp-12 sp-1200 Pete Rock JazzyJeff Hip Hop Rap Jazz Funk Soul Beatmaking
After "Sesame's Treet" became a massive hit across the world in 1992, it was licensed to Atlantic Records in the USA who wanted an album. We had literally 6 weeks to complete it so we went away and frantically started writing. There are other tracks from the album here, but this is my absoolute favourite. Chris (Luna-C) had the fantastic idea of using Holst's "Mars" from "The Planets" as a basis for the track, and we created a monster! It really set the mood for the PA's we did in the USA, such a great opener. Yes the beats are sllightly out, that's my fault, I didn't set the loop time right on the S950 sampler, but hey-ho, we all make mistakes!

Tags: smart es rave sesame street sesames treet dance hardcore happy techno
Saludos a La Nueva Movida Nightclub de Humberto Duran de K-paz de La Sierra en Bakersfield, Ca

Tags: saludos k-paz de la sierra humberto duran nueva movida nightclub bakersfield ca lanuevamovida
2006 KTM 990 Adventure from Raptorsandrockets.com This is the video from the brilliant world launch at Fuerteventure early in 2006. Onboard, exhaust note, gravel, road, doughnuts, on the beach with the S. Everything basically!

Tags: KTM 990Adventure S950 Dakar twin raptorsandrockets
Kickin a verse in the car over a beat i made on the mpc60

Tags: mpc60 hiredesign verse rap hiphop s950 hip-hop
Buy this MP3 at my website: http://www.JuicyLemon.com Give me a reason was released on Next Generation in 1995, however that wasn't the first mixes. I actually wrote it way back in 1993/1994 and vocals were performed by Jayde rather than by Jo James. It was my first real play around with the famous "Amen" break which was on complete overkill at the time. I chopped it up into 16ths and had them on the old S950 sampler. I then overlaid it with another loop and the two of them produced a real beat fest, hence the name! I know that nowadays, this is all so so simple, but back in the day, this was hours and hours of work on the sampler. A little piece of Bang! history.

Tags: bang! bang shooting star hardcore dance rave trance sesame street happy piano
short video promo for making of the track The Truth

Tags: alternative jazz world music hip-hop rap sp 1200 s950 BFG north west UK HIP HOP
cruising past Hamilton Station on the express track 17 minutes late at 5:20 p.m. heading to Trenton, Philadelphia, Wilmington, Baltimore, BWI Airport, New Carrollton & Washington D.C. with AEM7 #'s 950 & 947 leading & blasts on the K5LA horn from the engineer.

Tags: Amtrak Regional Train
William Paul Mitchell (born March 21, 1972) was born in the Harlem section of New York, New York. He moved, in his early childhood, to Flushing Queens were he was raised. He is best known as Large Professor, also as Large Pro and Xtra P, and is a New York based hip hop record producer and emcee. He is also best known as a member of the influential underground hip hop group Main Source, and for discovering popular emcee Nas. Early career His production career started early in his adolescence. As a young teenager, he would make pause tapes, in which he would pause a beat and blend it in with other sequences. Eventually, he mananged to own a Casio SK-1 sampling keyboard that allowed him to make his beats in the comfort of his own home. He became a protégé of the late Paul C, a record producer and musician, with whom he credits for teaching him virtually everything he knows about record production as well as the associated technology used for making hip-hop music. Paul C was doing production work with Eric B. & Rakim and Super Lover Cee & Casanova Rud, and then at age 17, Large was given the opportunity to program beats for Eric B. & Rakim's Let the Rhythm Hit Em album while still attending high school. While working with Eric B. & Rakim, he discovered Nas. Nas got a management deal with Serchlite Publishing (headed by MC Serch from former group 3rd Bass) and Large produced three tracks on Nas's debut album Illmatic after he was signed by Columbia Records. His work with Eric B. & Rakim album eventually led him to work on Kool G. Rap & DJ Polo's Wanted: Dead or Alive. [edit] Career with Main Source In 1989, he joined the group Main Source, which was also comprised of K-Cut and Sir Scratch from Toronto. Main Source recorded one album with Large called Breaking Atoms, which was released in 1991. It included hits such as "Just Hangin' Out", "Looking at the Front Door," and Nas makes his first public appearance on a track called "Live at the Barbeque," along with Akinyele and Joe Fatal. In 1992, its success allowed it to record "Fakin' the Funk," a track on the White Men Can't Jump motion-picture soundtrack. Because of business differences, Large and Main Source quietly parted ways and Large went on to sign with Geffen/MCA Records. During and after his tenure with Main Source, he worked with Pete Rock & CL Smooth, and he produced a number of tracks for Nas, Busta Rhymes, Masta Ace, The X-Ecutioners, Tragedy Khadafi, Big Daddy Kane, Mobb Deep, and others during the 1990s. [edit] Solo career In 1996, he released two singles for Geffen/MCA Records, "Ijuswannachill" and "The Mad Scientist", for which videos were produced for both tracks. He was to have his highly anticipated solo album The LP released around the same time, but it was never released because of label politics. Geffen and Large Professor eventually parted ways, and he signed with Matador Records, which generally specialized in marketing and promoting contemporary rock and alternative tracks as well as electronic music. Although his album for Matador, 1st Class did not receive mainstream acceptance, it gained favorable reviews by fans and critics. The album included guest appearances by Nas, Busta Rhymes, and Q-Tip. The album also included the moderate street hit "Radioactive." Large's publishing company is named Paul Sea Productions as an homage to his late mentor. For many years, people thought that Large Professor directly taught DJ Premier how to use the Emu SP-1200 sampling drum machine, which Large used to help program many of his beats during the 1990s. However, according to Large Professor, he just showed DJ Premier to enhance what he already had. This is an excerpt from the November/December issue of Scratch Magazine: " Since people see Professor, they say, 'He taught Preemo'. Nah, what happened was that we traded off. Preem showed me an ill beat and at the time I was filtering records like taking the bassline out of a record and filtering. I showed him how to do that on the Akai S-950. Premier doesn't even use the 1200; he's never used the 1200. Just people throughout the years to take shit and run with it. We just traded off. He shown me the "Brethren" (break) beat and I showed him how to muffle out the bassline. That's all it was " Large Professor DJs at clubs, parties, and events worldwide and still engages in music production. He released an instrumental LP in 2006 called Beatz Vol. 1. Its sequel, Beats Vol. 2, was released in 2007. He is currently doing production work for emceess Jin, Cormega, U-God, and Jurassic 5.

Tags: Large Professor Xtra Your Da Man First Class
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