Filmado por mi amigo Daniel Raquela,el UNICO que filmo la caida del musico Charly Garcia a la pileta del Hotel Aconcagua en Mendoza Argentina.-
Temas de Fondo:
No se va llamar mi amor y Cerca de la Revolucion del Album : Piano Bar
Final:No voy en Tren, del Album:Parte de la Religion.-
Carlos Alberto García Moreno (23 de octubre de 1951, Buenos Aires, Argentina) más conocido como Charly García, es un músico de rock argentino.
Integrante del dúo Sui Generis y de la banda Seru Giran, y de una exitosa carrera como solista, es considerado uno de los artistas más importantes de la Argentina.
Charly Garcia es conocido por sus numerosos escándalos públicos. Los más recurrentes han sido aquellos donde el músico ha abandonado recitales en medio de su desarrollo por la mala calidad del sonido.
Asimismo, ha sido internado tres veces en clínicas psiquiátricas, fue echado del ejército cuando cumplía con el servicio militar obligatorio, debido a que no soportaba el encierro y la disciplina impuesta por los militares. Llegó a tal grado su desesperación por salir, que en una ocasión sacó a pasear un cadáver en silla de ruedas, lo que motivó una investigación psiquiátrica que lo determinó psicótico y paranoico con personalidad esquizoide.
Asimismo, tiene prohibido el acceso a Uruguay tras un conocido escándalo al agredir a un paparazzi que intentó sacarle una foto.
Entre personalidades de la música, mantiene serios conflictos con su hijo, Migue García y con el músico Andrés Calamaro, a pesar de haber grabado con ambos en al menos una ocasión.
Charly Garcia a living legend of latin rock in Argentina,jumped from his hotel room and landed in the hotels swimming pool...5 floors down!!The pool was half full of water when he jumped.- He's was ok.
Charly García was the eldest son in an upper-middle class family. His father taught mathematics and physics in elementary school, while his mother produced radio music shows, mainly shows featuring folkloric music.
Charly began to show musical talent at an early age. At three, he received a toy piano as a gift, and soon he surprised his mother with his ability to compose and play coherent melodies, leading her to enlist him in a prestigious conservatory, the Thibaud Piazzini. At age twelve, he received the title of Music Professor. Charly developed perfect pitch as a child.
Charly García faced mandatory military service. He performed extravagant stunts in an attempt to be discharged from service; for example, he took a corpse in a wheelchair for a walk in the sun because "he was too pale". Eventually, García ingested a large dose of amphetamines and feigned a heart attack, after which he was taken to a military hospital. There, he composed two songs: Botas locas ("Crazy Boots"), which was censored at the time, and Canción para mi muerte ("Song for my Death). He was released from the military due to his purported mental health problems.
1974 was a year of changes. Charlie lost interest in "the piano and flute" sound that Sui Generis had been developing, and decided that Sui Generis needed a change; the band would evolve to a more traditional rock sound, incorporating bass and drums. To that end, Rinaldo Rafanelli and Juan Rodríguez joined the band. In many live shows, Sui Generis also counted in with a gifted guitar player, David Lebón, whom Charly admired very much.
In 1982, Argentina was undergoing political change. After the Falklands War (Spanish: Guerra de las Malvinas/Guerra del Atlántico Sur) in June, social chaos erupted and the military government lost much of its power. The kidnappings had stopped and censorship had weakened.
Charly García debuted as a soloist with a double LP, Pubis Angelical ("Angelical Pubis"), which was the eponymous movie's soundtrack, and the powerful Yendo de la cama al living ("Going from the bed to the living room"). Four hit songs from this album left their historical mark:
1:No bombardeen Buenos Aires ("Do not bomb Buenos Aires") showed the panic in lived out in the city during the Falklands war, and strongly criticized the army, especially the President Leopoldo Galtieri (Roger Waters from Pink Floyd, on the other side of the trenches at that time, also criticized Galtieri in their Final Cut 1983 album).
2:Yendo de la cama al living used the experience of being trapped in a confined space as a symbol of the repression of ideas.
3:Inconsciente colectivo ("Collective unconscious") was a message of hope for the stricken Argentinian people.
4:Yo no quiero volverme tan loco ("I don't want to go that crazy") was a beautiful song about the adolescent spirit of freedom and rebelliousness.
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