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Nortec Collective video for "Tijuana Bass" from the album "Tijuana Sessions Vol. 3".

Tags: Nortec Collective Electronica Tijuana Bass Nacional bostich fussible sound machine pepe mogt ramon amezcua techno border
Nortec Collective presents: Bostich+Fussible Tijuana Sound Machine www.myspace.com/tijuanasoundmachine Fisrt single from our Album, video by Checo Brown enjoy! Stnths: EMS VCS3, Arp Osyssey, Avatar, Arp 2600, Sequential Prophet 5, Oberheim Four Voice, Eml Electrocomp 200, Orgon

Tags: Nortec Tijuana sound machine nortec live Orgon Modular house Synthesizer Prophet fussible collective Bostich Analog Girls Cerveza Marko disco 70s dance club
Song is from Fussible of Nortec Collective album "Tijuana Sessions, Vol. 3" (Nacional Records) featured in the Feature Film TIJUANA MAKES ME HAPPY-- album is in stores now! and new one "Tijuana Sound MAchine" is coming in may 2008 http://www.myspace.com/nortecbostichfussible Film coming out soon! www.tijuanamakesmehappy.com

Tags: music mexico film nortec tijuana animals comedy hooker fish funny slamdance independent
Nortec Collective performing at the Roskilde Festival 2007 playing "Don Loope" by Fussible+Hiperboreal

Tags: nortec collective roskilde 2007 live tijuana don loope fussible hiperboreal sound machine denmark
The nortec Collective + banda Agua Caliente live at CECUT, Tijuana Mexico. songs on video Colorado / fussible / Nacional Records USA Casino Soul / Fussible / Palm Pictures Polaris / Bostich / Palm Pictures (usa) Odyssea (tampopo remix) / Sonic 360(UK)

Tags: Tijuana frontera tijuana sessions Nortec musica electrónica Mexico tecno pepe mogt sound machine
Latinsizer, video from the track "Celofán". Tomatoes, Drum Machines, Onions, Knobs, Lettuce, Analog Synths, Chilly, Cables, Tortillas, knifes, Beef and Nurses. download high resolution version here: http://www.latinsizer.com/latinsizer-celofan.mov ( 58 Mb )( ipod,quicktime, media player etc ) www.latinsizer.com www.myspace.com/latinsizer Music by Latinsizer @ 2007 Video by Sergio Brown / Pepe Mogt music made with MS-20, Drumulator, dr-110, Xpander and Four Voice Oberheim. In this project Pepe Mogt works with a very synthetic and basic set of musical tools to create a quirky approach to electronic music exemplified by "Ritmo 55", the first track released by Latinsizer which appeared on the Nortec Experimental CD. This approach could be described as a combination of the melodic work of early synth Pop classics such as Eno-era Roxy Music and Switched on Bach, modular synth based artists like Tangerine Dream and the grit of urban Tijuana, Latinsizer "live at MUtek.mx CD" has a more noise dance oriented aproach without loosing his analog roots Latinsizer becomes an alternate project to Nortec, and particularly, to Fussible, recently playing at experimental and dance music festivals like Mutek or Decibel, currently is working on his new album and EP, Celofán is a video of his latest works. MS-20 The MS-20 was one of Korg's first major successful portable analog monosynths and even today it is still a great little machine! The MS-20 is the big brother to the MS-10. It is an analog two-oscillator monophonic lead and bass synth with hard wired and patchable connections. The hard-wiring can be overridden however, using patch-cords. This type of hard-wired but patchable design was similar to the ARP 2600 of the late seventies. Of course the 2600 was much bigger and better. But the MS-20 offered a lot of flexible control and great sounds at a more affordable price. In addition to two analog oscillators, the MS-20 featured two resonant VCF filters, two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc. As for its sounds, the MS-20 sounds great! It makes a great alternative for Minimoog-seekers. The MS-20 is great for just about any type of analog synth sound you could want! Fat round bass sounds, percussive bass or sounds, noise effects, squiggly-bubbly sounds or sinuous-worm leads are all waiting to be unleashed from inside this classic beast. The MS-20 is not only a great sounding instrument, but a great learning-synth. It is fairly easy and intuitive to operate but in doing so you can learn and understand more about synthesis and signal-flow. It is used by William Ørbit, Aphex Twin, Hardfloor, Air, SkyLab, Stereolab, Vince Clarke, Astral Projection, Biosphere, Apollo 440, Mr. Oizo, Jimi Tenor, The Prodigy, OMD, Freddy Fresh, Luke Vibert, Einstuerzende Neubauten, Add N to (X), Daft Punk, Coldcut, Die Krupps, Skinny Puppy, Electronic Dream Planet, Jimmy Edgar, Front 242, Front Line Assembly, The Legendary Pink Dots, KMFDM, Severed Heads, Royksopp, The Faint, The Shamen, Jean-Michel Jarre, and Portishead. FOUR VOICE / Oberheim A big step forward after the initial Oberheim SEM and Two Voice synthesizers came from the bigger and better Four Voice. Four dual-oscillator SEM modules each with its own filters and envelopes are joined together along with a simple analog mixer and 49-note keyboard to give you a polyphonic/polytonal Obie-beast! Unfortunately the Four Voice was blown out of the competition by the release of the polyphonic Sequential Prophet-5, which offered true polyphony with a single set of sound shaping controls and comprehensive patch memory. The Four Voice has been used by 808 State, Depeche Mode, Latinsizer, Styx, The Shamen, Gary Wright, Joe Zawinul and John Carpenter.

Tags: Latinsizer nortec tijuana electonica music techno modular synthesizer ms-20 dr-110 synth drumulator korg ms10 taco girls
Bostich+Fussible Live set at Mexicali FEX, thanks mexicali! Live Performance by: Pepe Mogt: Tenori-on, Ableton live, Reaktor 5, Jl Cooper Cs-32 Ramon Bostich: Tenori-on, MaxSP, Ableton live, Jl Cooper Cs-32 Ernesto Aello VJ PR4 - GarageCube Modul8 Iphone aka Remote + I3L, VJ mixer Edirol V4, 2 Mac book pro Juan Tellez - Acordeon Erasmo - Clarinete Banda Aguacaliente - Tuba Banda Aguacaliente - Trumpet Camera man- Wilbert Chong http://www.myspace.com/tijuanasoundmachine bostich y fussible en mexicali

Tags: Tijuana Sound Machine Mexicali nortec collective colectivo techno tenori-on mexico border fex synthesizers visuals live
Zona norteC colectivo NORTEC y la Banda Agua Caliente en la Zona Nortec, en el Club Maya, de Rosarito, B.C. 09septiembre2006 Ejecutando "Don Loope" de Fussible+Hiperboreal

Tags: zona nortec banda agua caliente tijuana sound machine sessions collective live rosarito
Back in 1988-1996 in Tijuana( US-Mexico Border) i was involved in diferent industrial, Noise Electronic Local Acts before i started with "Nortec Collective"(1999). At the same time i was working with Ramon Bostich to do an Ambient Noise Music Duo with a more analog synth touch, this poject called "Monithor" wich later become Latinsizer as a solo alias, this footage i founded in lost tapes from back in 1996, this video was taken at Monterrey city at an abandoned wharehouse from 1905 before it become a cultural park today (Parque Fundidora), Ramon and i did a total Analog Synth live set there in 1996 using using a couple of Moog Synths, Oberheims, analog sequencers and modified drum machines. enjoy De 1988 a 1996 estuve involucrado en varias agrupaciones de música electrónica post-industrial en Tijuana antes de empezar con el "Colectivo Nortec"(1999). Al mismo tiempo estaba trabajando en otro proyecto con Ramon Amezcua en un tinte mas Analógico, Ambient y ruido(Monithor), proyecto que luego se convirtiera en "Latinsizer" como proyecto solo y Bostich con Pointloma, este video lo recuperé de unas cintas perdidas de una tocada en Monterrey en 1996 en donde tocamos en el parque fundidora cuando estaba abandonado y se utilizaba para hacer fiestas de música electrónica y ahora es un museo y parque cultural(así pasa), en esta tocada es una ejecución de varios instrumentos analógicos(moogs, oberheims,y otros) con algunas cajas de ritmos modificadas y secuenciadores de step, espero lo disfruten, saludos info about the synths used(extracted from www.vintagesynth.com) MOOG ROGUE Cheap Moog bass? Some may say so... An even cheaper version of this synth was made by Realistic (known as the Concertmate MG-1). The Rogue has a decent Moog filter with an external input and syncable VCO's. Still it does have its limitations in design and synthesis capabilities. Very basic and easy to use, the Rogue is an inexpensive place to get good Moog sounds! It is very similar in fact, to the Moog Taurus which is a bass pedal synthesizer system. Unfortunately the Rogue shows no sign of MIDI or patch memory. It is used by Peter Gabriel, Add N To (X), 808 State, Latinsizer, Stereolab, Mr. Oizo and KMFDM. MOOG SOURCE Moog's Source was their first to offer patch memory storage as well as some other new features. It boasted 16 memory locations so you could finally save and recall your synth patches. A casette-tape jack was also implemented to transfer your patches to and from an external tape and free up the on-board memory for additional new patches. But in an effort to modernize with the eighties, the Moog had replaced all buttons, knobs and sliders with flat-panel membrane buttons and a single data-wheel assignment format. At the time, this may have seemed far-out, but in all actuality it is the Source's downfall. Parameters are edited not with hands-on sliders and knobs but by assigning a selected parameter to the dedicated data wheel. This is very tedious and does not allow for true hands-on tweaking during performances nor can you adjust different parameters simultaneously or while playing. These days, the membrane buttons don't always seem to work quite right either. However, those famous monophonic Moog sounds are still inside this synth which has two fat analog oscillators and the legendary 24 dB Moog filter. The Source has been used by Tangerine Dream, Jan Hammer, Depeche Mode, Devo, Vince Clarke, New Order, Ultravox, Josh Wink, Front Line Assembly, Moog Cookbook, Kitaro, Imperial Drag, The Cars, Phish, The Rentals, King Crimson, Blur, and Gary Numan. OBERHEIM MATRIX 6 The Matrix 6R is the Matrix 6 without a keyboard, retaining its membrane programming interface. Oberheim later produced the Matrix 1000, which is essentially 1000 patches from the Matrix 6 in a 1-unit rack-module, preset and editable only through SysEx. For professional studio work or live on stage, both the Matrix 6 keyboard and rack-mount are excellent and versatile synths that make a great source of bright and punchy sounds, vintage analog pads, textures and ambient sounds. It is used by Orbital Apollo 440, Jimmy Edgar, Philip Glass, The Grid, Future Sound of London, Astral Projection, Latinsizer, The Shamen, Mouse on Mars, Tangerine Dream and Cirrus. bostich y fussible

Tags: drum machine circuit bend tr-606 analog sequencer synth modular moog oberheim tr909 latinsizer nortec tijuana pepe mogt
playing live at sunrise, Rosarito beach, Mexico. Pepe Mogt playing the song TRISINE followed by a jam with 303 bass lines and linndrum beats(more info about 303 and linn below). Latinsizer Pepe Mogt( nortec Collective, fussible ) In this project Pepe works with a very synthetic and basic set of musical tools to create a quirky approach to electronic music exemplified by "Ritmo 55", the first track released by Latinsizer which appeared on the Nortec Experimental CD. This approach could be described as a combination of the melodic work of early synth Pop classics such as Eno-era Roxy Music and Switched on Bach, modular synth based artists like Tangerine Dream and the grit of urban Tijuana, Latinsizer "live at MUtek.mx CD" has a more noise dance oriented aproach without loosing his analog roots Latinsizer becomes an alternate project to Nortec, and particularly, to Fussible, recently playing at experimental and dance music festivals like Mutek or Decibel, currently is working on his new album and EP, Celofán is a video of his latest works. The TB-303 is THE sound of acid and techno house music! It's a monophonic analog bass synthesizer married to a pattern-based step sequencer released in 1982. It features a single analog oscillator with two waveforms (ramp or square) and has a simple but excellent VCF filter with resonance, cut-off, and envelope controls. There are also knobs to adjust tuning, envelope decay, tempo and accent amount. How does it work? Well, it's not a performance synthesizer because you have to program a pattern of notes and timing info into it (sort of like a drum machine). Patterns can then be linked into songs. It was originally made to accompany a drum machine, the TR-606 specifically, and provide bass-line accompaniment to guitarists, keyboard players, etc. It was not a successful product in its time. As a result, creative DJs and aspiring electronic musicians found them for next to no money and began using them for techno and acid music. Usually a single pattern is continuously played while the performer tweaks the knobs creating an exciting and expressive musical event. The TB-303 has become one of the most sought after vintage synths ever! It has helped develop and stylize many forms of electronic music including House, Acid, Trance and Ambient. If ever there was a need for a repetitive bassline/groove or an extremely resonant and bubbly sound, the 303 is KING. Truly a unique machine with a very identifiable sound! It has spun off several imitators as well: Novation BassStation, ReBirth, Doepfer MS-404, MAM MB-33, Syntecno TeeBee, and more (see Related & Alternative Gear sidebar). Ironically, these days it's become trendy to dislike the 303 again, now because of over-use. But I don't and you shouldn't either because it is one-of-a-kind and it's just got that sound that everyone loves! Fatboy Slim says it best in his song "Everybody Needs A 303". The LinnDrum was the second machine from Linn Electronics. It's basically an upgraded version of the original LM-1 with added crash and ride cymbals to the kit. The LinnDrum uses samples of acoustic drum sounds. At the time, they sounded great and much more realistic and they were a fresh alternative to the analog drum sounds of the '80's drum machines. The LinnDrum also had a handy upgrade option, a well designed layout and interface, and live drum trigger inputs. The LinnDrum had beefed up the sampled sounds from 28 to a 35kHz sample rate. It features 15 sounds including bass, snare, rimshot, hihat, crash, ride, three toms, cabasa, tambourine, high and low congas, cowbell, and clap. Up to 12 sounds are available simultaneously. Individual controls are available to tune, pan, and mix each drum sound via dedicated knobs and sliders. An Accent is available for the kick, snare and hats. The handy upgrade options involve inserting new chips containing new sets of sampled drum sounds created by many session drummers of the time. The sequencer had some innovative features (for the time) such as swing, quantizing and memory storage! Two-bar patterns can be recorded in real or step time, with or without quantizing. There are 56 user patterns for storing your drum patterns. There are also 42 preset drum patterns. Patterns can be arranged into Songs for which there are 49 memory locations. Old songs and patterns can be off-loaded to cassette tape for storage. Designed for the studio, there are 15 individual outputs for each sound around the back as well as external sync and trigger but no MIDI (unless modified by a 3rd party). The LinnDrum's features made it the most professional drum machine of its time. It was widely used throughout the 1980s and there are about 5,000 of them which have been used by professionals (such as Sting, Prince, Jean-Michel Jarre, Sheila E., Todd Rundgren, Jimmy Edgar, Jan Hammer, Peter Gabriel), hobbyists, and educators alike!

Tags: nortec pepe mogt futureretro linndrum fussible collective tijuana techno mutek acid beats trisine bass 303 analog synth
Un duelo de acordeón contra sintetizador. Juan y José en un combate por la hegemonía del nortec.

Tags: Tijuana sessions Nortec musica electrónica Mexico tecno pepe mogt fussible sound machine synthesizers
Performance by cool northern Mexico group Nortec Collective at the Walker Art Center on December 8, 2007 Credits 00:00-00:31 / fussible - Reten 00:32-01:28 / clorofila+Panoptica - olvidela 01:29-02:07 / Fussible - The Clap 02:08-02:25 / Bostich - improvisation with tenori-on 02:26-02:49 / Fussible+Hiperboreal - Don Loope 02:50-03:15 / Bostich - Mama loves Nortec 03:16-03:36 / Bostich - Rosarito 03:37-03:53 / Fussible + Latinsizer 03:54-05:12 / Fussible - Casino Soul

Tags: Nortec Collective Walker Art Center performance music electronic fusion norteno Tijuana sessions nortec collective
Nortec Collective presents: Bostich+Fussible Tijuana Sound Machine LIVE@Planeta Tijuana(ex Multikulti) MAY 17 2008 Video Footage by: Sergio brown enjoy! http://www.myspace.com/tijuanasoundmachine

Tags: Nortec Tijuana sound machine nortec live Orgon Modular house Synthesizer EML fussible collective Bostich Analog tenori-on techno mexico border
Esto tambien fue filmado por nuestro amigo Lxuk Dorsett en el Club Maya en la tocada de Zona Nortec. Tenia años con la idea de escuchar este track clasico de Depeche Mode con "banda" y esa noche finalmente se me hizo. Para quienes no esten familiarizados con el genero de "banda" o "tambora", es un genero musical del norte de México que esta basado en instrumentos de vientos ( trompetas, tuba, clarinetes, etc ) y percusiones. Mucho material de Depeche Mode, particularmente su material de los 80, utilizaba sonidos de instrumentos de vientos sinteticos o sampleados, asi que para mi, la idea de Depeche Mode interpretada por "banda" no me parecia realmente tan rara. Aun asi, creo que fue una sorpresa total para el publico. Con Nortec jamas hacemos covers en vivo, pero en este caso fue una muy buena excepcion. Despues, para mi fue una sorpresa cuando mi amiga Vero me señalara que Juan de los BAC ( la segunda voz) suena muy parecido a Marc Almond. - - - This also shot by Lxuk Dorsett at the " Zona Nortec" show at Club Maya (Rosarito, BC Sep 9, 2006). I'd been wanting to hear that classic Depeche Mode song played by a "tambora" band, so I was very glad when we did the cover that night. "Tambora" or "Banda" music is a genre indigenous to the north of Mexico and is based around polka rhythms and uses mainly wind instruments such as trumpets, clarinets, tuba, etc, as well as percussion. Older DM material ( especially their 80's work) used a lot of sampled and synthetic wind instrument sounds, so the idea of doing a Depeche cover with a "tambora" banda, seemed very natural to me. Nortec never does live covers, but we made a very worthwhile exception in this case. I'm sure no one in the audience was expecting it. Later, I was very surprised when I played the clip to my friend Vero, and she pointed out that Juan ( BAC's second vocalist), sounds a lot like Marc Almond !

Tags: Colectivo Nortec Banda Agua Caliente Depeche Mode Bostich Clorofila Fussible Hiperboreal Panoptica Collective Electronic
Bostich and Fussible from Nortec Collective performed at X1FM studios with their new electronic toys which they use to make their beats and sequences. Using the new Tenori-on from Yamaha Bostich and Fussible rock da HOUSE !!!

Tags: x1fm bostich fussible performance live electronic norteño the clap tijuana sound machine nortec collective
Nortec Collective Bellas Artes June 1st 2006 Colective Nortec plating at "Palacio de Bellas Artes", Distrito Federal. this is the list of the songs on the video Zona N by Fussible Olvidela Compa by Clorofila Bar Infierno by Fussble Don Loope by Fussble+Hiperboreal Dandy del Sur by Fussible+Hiperboreal Tengo La Voz by Bostich Tijuana Bass by Bostich Polaris by Bostich (footage by Lxuk)

Tags: synth analog tijuana sound machine Electronica techno electro pepe mogt colectivo nortec collective fussible milrecords
Nortec Collective presents: Bostich+Fussible Tijuana Sound Machine LIVE@Planeta Tijuana(ex Multikulti) Event Production: Naza Spacedclub Video by: Checo Brown enjoy! Botich+Fussible son Pepe Mogt & Ramon Amezcua http://www.myspace.com/tijuanasoundmachine

Tags: Nortec Tijuana sound machine nortec live Orgon Modular house Synthesizer Prophet fussible collective Bostich Analog tenori-on techno mexico border
Nortec: This is Tijuana ... Come in .... Cartel Arellano Felix ... The most dangers gangsters of Latin America ....

Tags: Cartel Arellano Felix
Video for Nortec Collective's Bostich+Fussible NEW album "Tijuana Sound Machine" available now. FOR MORE INFO: http://www.myspace.com/tijuanasoundmachine http://www.nacionalrecords.com

Tags: Nortec Collective Bostich Fussible Tijuana Sound Machine Electronica Norteno Nacional Latin Records
Nortec. Bostich + Fussible @ Austin Tx Pachanga Fest 05/31/08 "the clap" with tenori on

Tags: nortec bostich fussible austin texas pachanga fest the clap tenori on
ramon bostich (nortec) playing live his nortec sounds on the tenori-on http://www.myspace.com/tijuanasoundmachine http://www.myspace.com/bostichpointloma

Tags: bostich electronica tenori-on tenori on tijuana sound machine monome synth collective colectivo nortec fussible
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