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Ramon working with the Orgon Modular Synthesizer, EMS VCS3 and a Roland TR-606.
VCS3 Specs:
The VCS3 (nicknamed the Putney) is an analog monosynth housed in a distinctive angled wooden case, a truly classic synth. EMS (Electronic Music Studios) was created in England back in 1969. The VCS3 was one of their first synths and it is still a great, unique, funky little unit! Pictured above is the Mark I model. Pictured is another unit with the small wood-cased DK2 voltage-control keyboard required to play the VCS3.
It has three oscillators, and a unique matrix-based patch system. Instead of patch wires, the VCS3 uses a patchbay grid in which the synth components are laid out, and signal routing is accomplished by placing small pins into the appropriate slots. The VCS3 was, in actuality, a modular type synthesizer reduced down to an extremely portable size.
t generates familiar sci-fi sounds (Dr. Who) and other truly analog sounds. Unfortunately, the oscillators tend to drift out of tune. There's a Noise Generator, 2 Input Amplifiers, 1 Ring Modulator, 1 Voltage Controlled Low Pass Filter (VCF), 1 Trapezoid Envelope Generator, Joy-Stick Controller, Voltage Controlled Spring Reverb unit and 2 Stereo Output Amplifiers.
Additonally, the VCS3 was also sold in a plastic breif-case and called the Synthi A. The major Synthi 100 system was based on three VCS3's strung together. Some ultra-rare commercially unavailable synths EMS made include the VCS4 in 1969 which was basically 2 VCS3's plus a keyboard. And the Synthi Keyboard 1 of 1970 was just a VCS3 with a mini 29-note keyboard. Many of these EMS synth's have been used by Brian Eno, Tangerine Dream, Pink Floyd, Stereolab, Yes, Aphex Twin, Autechre, Jean-Michel Jarre, Astral Projection, Klaus Schulze, Depeche Mode, Vince Clarke, Add N to (X), The Who, Todd Rundgren, Recoil, Freddy Fresh, and many more.
Roland TR-606 Specs:
A cool little box! So primitive and cute! The 606 was the percussion side-kick to the TB-303. It even looks like the 303. It stores up to 32 patterns and 8 songs. The 606 allows switching between Pattern Play and Write mode while running - making the 606 the only drumcomputer in the X0X series that can be edited while performing and switching patterns. It is also possible to link up to 4 consecutive patterns in Pattern Play mode. There is only a mono audio output, however there are mods from Kenton Electronics and Analog Solutions that will add individual outputs for each drum tone.
The 606 has seven analog drum sounds which are simple, yet great! Kick, Snare, 2 toms, open hat, closed hat, cymbal, accent. The hi-hats are a very tinny electronic sound and its toms are great for soft tribal patterns. These seven sounds alone are still quite popular today, and the 606 has been used by Uberzone, Cirrus, Sneaker Pimps, Download, Aphex Twin, Astral Projection, Nine Inch Nails, Mr. Oizo, Jimi Tenor, Kid 606, OMD, Moby, Freddy Fresh, Autechre, Luke Vibert, and Union Jack.
For control, the 606 can receive or transmit DINSync for synchronization with other TR and TB family instruments. There are also two trig-outs on the unit, which make it very valuable as a pattern-programmable dual-channel trigger sequencer. It's often used for this by various people (Jimi Tenor) to 'drive' other sequencers and the like.
Modifications
Editable Drum Tones! - Analog Solutions external modification adds tuning for all drum tones, snap and decay for the snare drum, decay for the cymbals and a sweep effect for the toms.
Individual Outs! - Analog Solutions adds 5 individual outputs for cymbals, kick, snare, toms and hi-hats.
Synhouse MIDIJACK DINSYNC - Adds a MIDI jack so the 606 can be sync'd to external MIDI triggers and tempo sources.
Tags: Bostich TR-606 VCS-3 VCS3 606 modular sythesizer nortec tijuana orgon sonido collective pointloma milrecords analog
Tags: Bostich TR-606 VCS-3 VCS3 606 modular sythesizer nortec tijuana orgon sonido collective pointloma milrecords analog
