This is the music video for (+44)'s Lillian.

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The first video from Josh Ritter's new album The Animal Years, "Lillian, Egypt"

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directed by alias. featuring alias & his brother ehren. from their "lillian" LP. (anticon)

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From thier debut album - When Your Heart Stops Beating [If you wud like any song from the album sent to you as MP3 then just mail me :) ]

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steve blaze performing the national anthem on electric guitar at the new orleans voo doo arena football game on 6/02/2007

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a short cut of "ain't she sweet" by the fabulous lillian roth (1933)

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This is the apology from Charlie Haas to Lillian after he accidentally knocked her off the apron the week before.

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Lillian Axe live in 1985. Somewhere in Louisiana.

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Shot during the winter and spring of 2004 in master crop artist Lillian Colton's kitchen, in between games of Scrabble and over coffee and great conversation, these four short video segments were included as part of the Minnesota Artists Exhibition Program exhibition, Lillian's Vision which ran in the Minnesota Artists Gallery at the Minneapolis Institute of Arts, July 30 through September 19, 2004. The exhibition "Lillian's Vision" featured crop art portraits by the legendary Lillian Colton, a self-taught, 92-year-old artist who used seeds as her primary medium for more than 40 years. Collectively, Colton's icons of historical or entertainment celebrity spanned many decades of pop culture, from American presidents, to the stars of movies, art, and music, to great leaders in religion and science. The exhibition was organized by guest curator and artist, Jan D. Elftmann. The four video segments focus on Colton's early life growing up in rural Minnesota, her creative influences, her work as a beautician and her long-term relationship with the Minnesota State Fair. They are entitled Farm Club, Art & Life, Beauty Work, and State Fair. Lillian Colton: Lillian's Vision - State Fair (1:09, segment 4 of 4), 2004, Video, 5 minutes, produced and directed by Mike Dust, © 2004 National Projects http://www2.artsmia.org/wiki/index.php/Lillian%27s_Vision

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Plus 44 live playing lillian at their first show at the roxy (not my video)

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live video for Body Double

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Jornal do portal terra - Lillian Witte Fibe cai na risada ao dar uma notícia. A jornalista assiste ao seu próprio vídeo no Programa do Jô

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My first video...well, ever. Just a quick little Marimite thing set to a DDR song, Shooting Star.

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This video clip features the following set of cards: http://stores.ebay.com/Creamofcards-Cigarette-Cards#bottom Manufacturer: Lambert and Butler Series Title: Popular Film Stars Year Of Issue: 1925 Card Size: normal Complete Set: yes Number of Cards: 50 cards Mae Murray,Barbara La Marr,Mary Pickford,Harold Lloyd,Rudolph Valentino,Doris Kenyon,Alice Terry,Ramon Novarro,Anna Q Nilsson,Laura La Plante,Milton Sills,Jack Holt,Norma Talmadge,Dorothy Gish,Rod La Rocque,Pola Negri,Adophe Jean Menjou,Buster Keaton,, Gloria Swanson,Theodore Roberts,Corinne Griffith,Lillian Gish,Richard Dix,Bebe Daniels,Lewis Stone,Constance Talmadge,Charlie Chaplin,Norma Talmadge,Agnes Ayres,Betty Compson,May McAvoy,Gloria Swanson,Tom Mix,Colleen Moore,Rudolph Velentino,Jackie Coogan,, Lewis Stone,Leatrice Joy,Anna Q. Nilsson,Ramon Novarro,Adolphe Jean Menjou,May McAvoy,Thomas Meighan,Jackie Coogan,Betty Blythe,Reginald Denny,Douglas Fairbanks,Colleen Moore,Walter Hiers,Richard Barthelmess, Silent Movie Stars,Early Film Stars,Silver Screen

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Lillian Russell was a very popular singer and performer of her era. Considered the ideal of beauty, she had strong opinions about priorities, and was often annoyed at people who fawned over her looks. The following is taken from a 1914 newspaper interview: "[Russell thanks the interviewer out of the blue.] "What for?" I inquired. "For not having asked me a single question about the way I preserve my good looks. Everyone always asks that first. For a few minutes you have let me forget my face, and I want to forget it. I get very tired of it--very, very tired of it. I hate a mirror sometimes. "What, after all, is there great in being beautiful? To be a great woman, a great person, one must have suffered, even suffered in great crises. What have I done that I should be famous--nothing but powdered a bit gently the cheeks that God gave me and smoothed the hair that I was born with, laughed and proven a faultless set of teeth. Any grinning idol, well painted, can do as well, but the real women, the big women, are those who toil and never write of it, those who labor and never cry of it, those who forfeit all and never seek reward. Begin this article with the name Lillian Russell, but end it with the name of such as was Cynthia Leonard." " Russell later became an advocate for woman's suffrage. (Picture credits go to many websites via google search! :D )

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Lillian Vs Yvonne from Channel 4's Shameless Christmas special 2004

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Lillian Axe at Down Under in Tyler, TX on 10-11-07

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Lillian dances Samba

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Lillian Axe - Love and war Great song!! Common 80's song

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The Mothering Heart 1913 cast: Lillian Gish -The Young Wife, Joseph McDermott ,Mae Marsh ,Peggy Pearce, Adolphe Lestina, Walter Miller, Charlie Murray, Charles H. West, Viola Barry,Gertrude Bambrick ,Blance Sweet, Mae Marsh, Josephine Crowell, Kate Bruce , Donald Crisp Billy Bitzer - Cinematographer Summary: The Mothering Heart was one of six films Griffith was producing and directing at the same time in California 1913, and the first major roll for Lillian Gish. Against her better judgment the young women(Lillian Gish), marrys a man shes not sure is the right person(Walter Miller). During the hard times together the wife takes on jobs doing laundry until better days come for her husband. But the Husband starts to do well and becomes discontent with his wife and unhappy the way she looks. Its while he takes his wife out for dinner that he starts to flirt with a women(Peggy Pearce) at another table and soon takes up with her after a chance meeting.Its when Lillian whos now expecting a baby finds the womens gloves in the husbands jacket that her suspicions are aroused. She leaves him to have her baby at her mothers home as the man dates the other women. Its at dinner one night that the women meets another man flirting with her from another table(Charlie Murry) and runs off with him.The husband goes back to Lillian for forgivenes to learn that his baby has died. For what every reason Lillian will forgive him, and they hug and hope to start over the right way. Take note of Henry Walthal and Mae Marsh as extras having dinner, as well as Donald Crisp and Blanche Sweet dancing together as performers on the stage in the resturant. http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.YouTube.com/TVDAYS http://www.tvdays.com (400 DVD TITLES ) DW GRIFFITH AT BIOGRAPH BY IRA H. GALLEN What soon ends Griffith's association with the Biograph Company will be the events surrounding the production of three films: THE BATTLE OF ELDERBUSH GULCH, THE MOTHERING HEART and JUDITH OF BETHULIA. All three are being made at the same time, each one was different and highly involved in scope and production value. They're made with the same cunning he used in his other battles with the front office. The question on the audiences lips was now reaching across all class boundaries; the D.W. Griffith method riveted them in their seats or had them sitting up on the edge of the seats, awaiting the outcome. Moving picture audiences were now coming to feel as well as see the stories on the nickelodeon or movie parlor screens in front of them. Griffith's acting company would soon be operating in such a fashion as to be completely independent of any one actress or actor. Each category of character was staffed in depth by Griffith. He had the practice of alternating casts which kept any one player from becoming too important. This kept them from knowing their importance with the public for a period of better than three years. In this fashion, salaries were kept quite low. Moving pictures were still produced in a highly improvised manner. Griffith would never be found using a shooting script of any sort which outlined the action. The synopsis was carried in his head. If one scenic background that was called for in the story was unavailable, he changed the background and altered the story to fit. Production problems as well as the continuity of the story that was being shot were also kept in Griffith's head. What makes it all work was that those who stayed on to learn and work with Griffith soon became a permanent part of his stock company and assisted him in his decisions as well as in carrying out his orders. Whenever an actor or actress was not actually appearing in a story, they might be seen in the background, working on a Griffith errand or carrying a prop.

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only that

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Les Gigolos & Lillian Boutté - JazzAscona 2008 "The Last Call" Feat. New Orleans Own Lillian Boutté, voc The Pink Turtle, France Playing at the New Orleans & Classics Festival in Ascona, Ticino, Switzerland Performing dates: 26/6 - 30/6 Style: Pop in Jazz cabaret France It's useless to try and talk about it: the return of the Pink Turtle - the band has been at Ascona under the name 'The Gigolos', which was a different musical project that lasted over 10 years! - constitutes one of the most awaited events in the upcoming edition of JazzAscona. The French 7-piece band returns to the scene after an almost 40-year absence. The group had broken up long ago in 1969, at the apex of an international success and at the close of a world tour that had seen them victorious on the most important stages. The key to the French band's success lies in its "swing" revisitations of pop-rock standards from the Eagles' "Hotel California" to "Smoke on the Water" of the Deep Purple. Their "swing", as pointed out by the critics, has had a strong influence on pop music and on rock ballads of artists such as the Bee Gees, Supertramp, Simon & Garfunkel and Stevie Wonder. A group that has lost not a grain of its old polish, The Gigolos capture their public with their skits, comic interludes, and swing interpretations of unforgettable hits that have made the trip around the world. www.jazzascona.com www.lightronixprod.com

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In memory of our daughter Lillian, we raise money to cure cancer through the American Cancer Society's Relay for Life event.

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Lillian Rand, Psychiatric Social Worker from New York, plays Chopin's Mazurka in A minor Op. 17 No. 4 in preliminary round of 4th Boston International Piano Competition for Exceptional Amateurs

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Outakes from Lillian Muller's views on Raw Food VEGAN diet and lifestyle

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